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Once the storehouse of information and expertise and the provider of keen-eyed insight and perspective, Malcolm, who had long instructed established producers what to do in the studio, was heartbreakingly unsure and confused
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The big advantage was that most of us came from that same school of low-low-budget filmmaking, so everybody had a lot of experience throwing stuff together on the fly. Burton, too, had had some experience creating low-budget effects whilst making Hansel and Gretel for Disney, as well as his intervening projects especially Frankenweenie (with its $1 million budget) and Aladdin (with its ultra-short shooting time)
And then he'll go into character, and he'll be like [nonverbal, guttural Bridges grunts.] And then, "Cut"and he'll be like, [high voice again] "Hey, y'know, I take these pictures, and if you look one way for a second, I snap the picture and then I'll whip it around and it's a comedy-tragedy thing