He had played a little something during one of our practices that I liked and I went, Oh, whats that? and he went I wrote that! so I was like, Oh cool, maybe we should play together. We just started playing, me in his band and playing for each other
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At one point, after watching Dan go through all of the steps required to synchronise sound and picture, the student sound recordist leaned in to ask Dan, confidentially, Did you do this on every film? Dans answer: Every take for every film! Once the scenes were edited, we needed to show them to Mike, but it turned out that there were no longer any theatres in London that could run double-system 35 mm picture and magnetic sound, so through Howards contacts we were able to venture out to Stanley Kubricks estate in nearby St Albans and use the Steenbeck bought for The Shining (1980)
This guide may answer all those questions and help you ensure your journey is as smooth as your next draw
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